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These forms draw on the layered complexity of old cities, where time, texture, and history overlap. Marks and surfaces compress together, creating a sense of visual density where fleeting impressions give way to discovered details upon closer looking.
In this series, layering is both visual and physical. Slip, underglaze, and texture are built up across the surface, while sections are cut out and replaced, creating a shifting relief. The result is a surface that holds depth—where fragments emerge, recede, and reappear depending on how you look.
This is a handbuilt ceramic vessel, built through layered surface and carved texture. This piece functions as both sculptural object and planter. Suitable for bonsai, succulents, and small plant compositions, with proportions that work well for smaller trees or more expressive plantings. Each piece is made individually, with an emphasis on surface, structure, and variation. While they are fully functional, they are not production objects—no two are the same, and each one reflects a moment in process and material.
These forms draw on the layered complexity of old cities, where time, texture, and history overlap. Marks and surfaces compress together, creating a sense of visual density where fleeting impressions give way to discovered details upon closer looking.
In this series, layering is both visual and physical. Slip, underglaze, and texture are built up across the surface, while sections are cut out and replaced, creating a shifting relief. The result is a surface that holds depth—where fragments emerge, recede, and reappear depending on how you look.
This is a handbuilt ceramic vessel, built through layered surface and carved texture. This piece functions as both sculptural object and planter. Suitable for bonsai, succulents, and small plant compositions, with proportions that work well for smaller trees or more expressive plantings. Each piece is made individually, with an emphasis on surface, structure, and variation. While they are fully functional, they are not production objects—no two are the same, and each one reflects a moment in process and material.
