This series grew out of a long-held fascination with winter branches—their tangle of lines, the way snow gathers and clings to them, softening some edges while heightening others. The landscape becomes a study in abundance: thousands of crossing marks revealed where leaves once hid them, each limb drawing its own path through space. I wanted to capture that density.
This series has works that are carved, sculpted, and drawn, blurring the boundaries between what is drawn, what is carved, and what is built.
A series of bonsai/succulent pots and vases in Black Mountain and Panomora clay (slab mixed), fired to Cone 10, with slip, underglaze, and select glazes wiped clean.
Please inquiry directly for availability.
This series grew out of a long-held fascination with winter branches—their tangle of lines, the way snow gathers and clings to them, softening some edges while heightening others. The landscape becomes a study in abundance: thousands of crossing marks revealed where leaves once hid them, each limb drawing its own path through space. I wanted to capture that density.
This series has works that are carved, sculpted, and drawn, blurring the boundaries between what is drawn, what is carved, and what is built.
A series of bonsai/succulent pots and vases in Black Mountain and Panomora clay (slab mixed), fired to Cone 10, with slip, underglaze, and select glazes wiped clean.
Please inquiry directly for availability.
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