Private Clay Workshops in Ann Arbor

Tempest NeuCollins teaching a group clay workshop around a table at Graye’s Greenhouse in Plymouth, Michigan.

I lead hands-on clay workshops for private groups, garden centers, and community organizations. Choose from beginner-friendly botanical projects using air-dry clay or more involved, kiln-fired ceramics workshops.

I can bring a workshop to your space, or we can explore hosting at Graye’s Greenhouse in Plymouth.

Ask about a workshop

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1. Take-Home Creative Workshops

These workshops use air-dry clay and simple materials to create something personal. They're beginner-friendly, leave plenty of room for experimentation, and don't require a kiln. They generally run around 2 hours, and everyone takes their work home the same day.

Workshop participant painting a blue clay panel with botanical leaf shapes at a shared table.

2. Kiln-Fired Ceramics Workshops

Ceramics workshop participant holding a handmade teardrop-shaped bowl in the studio.

These workshops offer more time to explore the possibilities of clay, from constructing a form to developing its surface through color, texture, and pattern. Some are open to complete beginners; others are designed for people with a little clay experience.

I typically partner with studios that have kiln access, but can also help coordinate firing for local groups.


“Thank you, Tempest, for creating such an incredible, welcoming space and teaching the magical process of creativity!”

-Sandra Q.

Take-Home Creative Workshops

The Clay Almanac Series

A series of three nature-inspired workshops, each exploring a different way of translating the shapes, patterns, and textures of the natural world into clay. Participants leave with a piece that will fit into a circular frame and can easily be hung on a wall.

Choose one, choose several, or choose all.

Botanical Silhouettes

Botanical Prints

Collected Textures

Kiln-Fired Ceramics Workshops

Kiln-fired workshops are adapted to each group and their needs. Please reach out to tell me more about your group.

Handbuilt ceramic wall pocket planter made during a private pottery workshop.
Finished ceramic wall pocket with pink botanical leaf shapes against a dark green background.

Botanical Wall Pocket Workshop

Create a ceramic wall pocket in the shape of a teardrop bowl. We’ll build the form, then explore its surface using impressions of real leaves and flowers.

I’ll guide the construction, then we’ll work with layering, color, and composition to make each piece your own.

  • All experience levels welcome

  • Approximately 3 hours

Bonsai planting in a sculptural ceramic vessel, shown as a pot and tree pairing by hannahakiomakesstuff.

a pot/tree pairing by hannahakiomakesstuff

Sculptural Bonsai Vessel Workshop

A bonsai pot does more than hold a tree. Its shape, proportions, and surface become part of the planting.

We’ll look at traditional bonsai containers alongside contemporary, sculptural examples, then build our own small vessels using slump molds. On the first day, you’ll shape your pot. On the second, you’ll decorate it with slip, texture, and carved lines. We’ll discuss how those choices work with the tree you might plant in it.

Some clay experience is helpful. Beginners are welcome in smaller groups, where I can offer more individual support.

  • Two 3-hour workshop sessions

  • Beginners welcome in smaller groups. Larger groups should have some familiarity with clay.

Ask about a kiln-fired workshop

Explore the Take-Home Workshops

See examples from other groups and learn more.

Inside The Clay Almanac

  • A seasonal wall hanging made with clay and natural materials

  • No clay experience needed

  • About two hours

  • Air-dry clay, with no kiln needed

  • Take your piece home the same day


Tempest NeuCollins demonstrating color choices to adults during a clay and botanical workshop.
Mixing blue and orange color into air-dry clay during a group workshop.
Red and white botanical clay wall hanging set in a wooden hoop with a purple hanging cord.

We’ll start by looking closely at the materials around us. When the setting allows, we’ll head outside to gather leaves, twigs, bark, flowers, and other natural objects. I’ll bring a collection, too, so we have plenty to work with.

Back at the table, I’ll demonstrate the day’s technique. You’ll choose your own arrangement, colors, and materials, whether we’re making botanical silhouettes, botanical prints, or collected textures.

You’ll take your wall hanging home that day to finish drying. I’ll explain any final steps before you leave.

Book one workshop or offer all three as a series. There’s no need to take them in order.

Round orange clay panel with pale leaf and flower silhouettes arranged around the center.
Adults gathered around a shared table mixing colored air-dry clay during a group workshop.

Photos from a ‘Clay Almanac’ session at Ann Arbor Parks and Rec

The workshops:

Yellow clay panel with purple leaf shapes, an example of a seasonal botanical project.
Leaves arranged in a radial pattern on a turquoise clay panel.

Student examples from Botanical Silhouettes


Botanical Silhouettes

Explore radial design using leaves and other gathered materials. Arrange them on colored clay, paint across the surface, then lift them away to reveal a bold, two-color botanical print. Best when there is fresh botanical matter available.

Botanical Prints

Explore color, composition, and the expressive shapes of botanical materials. Using leaves, flowers, and other natural forms, participants will experiment with color combinations and printmaking techniques, applying paint directly to botanicals and transferring their shapes onto clay. Through overlapping colors and impressions, each participant will create an original botanical composition to frame and hang at home.

Collected Textures

Discover the patterns and textures hidden in the natural world. Using leaves, bark, seedpods, and other found materials as stamps, participants will capture a variety of impressions in small pieces of clay. These textured fragments will be arranged and attached to a larger backing slab, creating a composition that explores rhythm, repetition, and contrast. A subtle color wash, applied after drying, can bring out the details of each impression.

Ask about a workshop

you can also email tempestneucollins@gmail.com

Questions