This series grew out of a long-held fascination with winter branches—their tangle of lines, the way snow gathers and clings to them, softening some edges while heightening others. The landscape becomes a study in abundance: thousands of crossing marks revealed where leaves once hid them, each limb drawing its own path through space.

These planters are double walled, with peek-a-book pieces cut out and sculpted, through which you can see that the interior is decorated.

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This is a handbuilt ceramic vessel, built through layered surface and carved texture. This piece functions as both sculptural object and planter. Particularly suitable for succulents or small plant compositions.

Each piece is made individually, with an emphasis on surface, structure, and variation. While they are fully functional, they are not production objects—no two are the same, and each one reflects a moment in process and material.

This series grew out of a long-held fascination with winter branches—their tangle of lines, the way snow gathers and clings to them, softening some edges while heightening others. The landscape becomes a study in abundance: thousands of crossing marks revealed where leaves once hid them, each limb drawing its own path through space.

These planters are double walled, with peek-a-book pieces cut out and sculpted, through which you can see that the interior is decorated.

—

This is a handbuilt ceramic vessel, built through layered surface and carved texture. This piece functions as both sculptural object and planter. Particularly suitable for succulents or small plant compositions.

Each piece is made individually, with an emphasis on surface, structure, and variation. While they are fully functional, they are not production objects—no two are the same, and each one reflects a moment in process and material.

This series grew out of a long-held fascination with winter branches. Their tangle of lines, and the way snow gathers and clings to them, softens some edges while heightening others. The landscape becomes a study in abundance, with thousands of crossing marks revealed where leaves once hid them, each limb tracing its own path through space.

This piece functions as both sculptural object and planter. It is suitable for bonsai, succulents, and small plantings, with a form that leans more expressive than traditional bonsai containers. The structure has been considered with bonsai use in mind, including straighter sides to support repotting and an integrated area for mesh over the drainage.

This series grew out of a long-held fascination with winter branches. Their tangle of lines, and the way snow gathers and clings to them, softens some edges while heightening others. The landscape becomes a study in abundance, with thousands of crossing marks revealed where leaves once hid them, each limb tracing its own path through space.

This piece functions as both sculptural object and planter. It is suitable for bonsai, succulents, and small plantings, with a form that leans more expressive than traditional bonsai containers. The structure has been considered with bonsai use in mind, including straighter sides to support repotting and an integrated area for mesh over the drainage.

This series grew out of a long-held fascination with winter branches. Their tangle of lines, and the way snow gathers and clings to them, softens some edges while heightening others. The landscape becomes a study in abundance, with thousands of crossing marks revealed where leaves once hid them, each limb tracing its own path through space.

This piece functions as both sculptural object and planter. It is suitable for bonsai, succulents, and small plantings, with a form that leans more expressive than traditional bonsai containers. The structure has been considered with bonsai use in mind, including straighter sides to support repotting and an integrated area for mesh over the drainage.

This series grew out of a long-held fascination with winter branches. Their tangle of lines, and the way snow gathers and clings to them, softens some edges while heightening others. The landscape becomes a study in abundance, with thousands of crossing marks revealed where leaves once hid them, each limb tracing its own path through space.

This piece functions as both sculptural object and planter. It is suitable for succulents and small plantings.

This series grew out of a long-held fascination with winter branches. Their tangle of lines, and the way snow gathers and clings to them, softens some edges while heightening others. The landscape becomes a study in abundance, with thousands of crossing marks revealed where leaves once hid them, each limb tracing its own path through space.

This piece functions as both sculptural object and planter. It is suitable for succulents and small plantings.

This series grew out of a long-held fascination with winter branches. Their tangle of lines, and the way snow gathers and clings to them, softens some edges while heightening others. The landscape becomes a study in abundance, with thousands of crossing marks revealed where leaves once hid them, each limb tracing its own path through space.

This piece functions as both sculptural object and planter. It is suitable for succulents and small plantings.

This series grew out of a long-held fascination with winter branches. Their tangle of lines, and the way snow gathers and clings to them, softens some edges while heightening others. The landscape becomes a study in abundance, with thousands of crossing marks revealed where leaves once hid them, each limb tracing its own path through space.

This piece functions as both sculptural object and planter. It is suitable for succulents and small plantings.

This series grew out of a long-held fascination with winter branches. Their tangle of lines, and the way snow gathers and clings to them, softens some edges while heightening others. The landscape becomes a study in abundance, with thousands of crossing marks revealed where leaves once hid them, each limb tracing its own path through space.

This piece functions as both sculptural object and planter. It is suitable for succulents and small plantings.

This series grew out of a long-held fascination with winter branches. Their tangle of lines, and the way snow gathers and clings to them, softens some edges while heightening others. The landscape becomes a study in abundance, with thousands of crossing marks revealed where leaves once hid them, each limb tracing its own path through space.

This piece functions as both sculptural object and planter. It is suitable for succulents and small plantings.

This series grew out of a long-held fascination with winter branches. Their tangle of lines, and the way snow gathers and clings to them, softens some edges while heightening others. The landscape becomes a study in abundance, with thousands of crossing marks revealed where leaves once hid them, each limb tracing its own path through space.

This piece functions as both sculptural object and planter. It is suitable for succulents and small plantings.

This series grew out of a long-held fascination with winter branches—their tangle of lines, the way snow gathers and clings to them, softening some edges while heightening others. The landscape becomes a study in abundance: thousands of crossing marks revealed where leaves once hid them, each limb drawing its own path through space.

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